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The Lies Project is based on original installation
work. In these installations, anonymous participants, sheltered
only by a transparent veil printed with lies, would enter a series
of \"lying booths\" to submit their own hand-written lies.
After being collected, the submitted lies were embroidered and treated
using chemical processes so that the fabric holding the stitch dissolved
and only the stitch--the lie itself--remained. In the second phase
of the installation, hundreds of embroidered lies were pinned, in
single file, just off the walls of a gallery. The mounted lies were
then lit from behind and above, creating a prominent shadow behind
the embroidery of each lie. One of the questions that the work raised
is \"What is present in this shadow?\" Other questions,
centered around the ideas of weaving and the stitch as silent records
of traditionally feminine practices, also emerged. The Lies Project
can be seen as a \"virtual\" continuation of the act of
lying.
The Lies Project is an interactive web-site where viewers are invited
to enter a \"virtual\" lying booth and submit their lies.
Participants\' submissions continually generate woven networks of
lies that in turn produce and sustain a virtual community. In addition,
the website intervenes in the user\'s lying process by altering
the content and quality of the lies. Furthermore, the website occasionally
poses questions to the user in order to break anonymity and prompt
an interest in accountability. The Lies Project allows participants
to explore lying as both currency and tool in the transactions and
construction of our everyday culture.
The Lies Project may be presented in one or two parts: the first
is the on-line component--simply the URL. The second is the physical
\"lying booth\" which the viewer may enter to access the
website. The booth is comprised of a silk-screened transparent veil
printed with lies, that surrounds a computer. The veil is to be
basted (sewn) onto a circular shape from which it hands approximately
3ft. above the computer. The computer is to be seated on a plinth
(or equivalent support) approximately 3-4 ft. high and wide enough
to seat an available computer. Approximately 1.5-2 hours is required
for installation time. Please contact me for further details.
Born in Toronto, Canada in 1980, Emily Hermant
is a textile and installation artist, with recent pursuits in the
cyber-arts. She holds a Bachelor of Fine Arts with Distinction in
Studio Arts [Concentration: Fibres] and Religion, from Concordia
University. Hermant\'s current work investigates ways of integrating
traditional notions of craft and textile production with the quickly
evolving fields of digital technologies and new medias. She is particularly
interested in how techniques such as embroidery, silkscreening,
and weaving find their parallels in the languages and practices
of virtual space. Hermant\'s recent activity include a thematic
residency for the Art\'s Birthday Festival 2005 at Studio XX, in
Montréal, where she was a contributor to Reverie: NoiseCity,
a virtual landscape on the web organized by the Western Front Society
and aaeol in Vancouver. Her work has been featured on the YearZeroOne
Gallery Splash Page, as well as on [NewMediaArtprojectNetwork],
an experiemental platform for art and new media, operating from
Cologne, Germany. Hermant was most recently featured in the 07e
HTMlles Cyberarts Festival, run by Studio XX, in Montréal,
Canada. Hermant lives and works in Montréal.
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