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(\"Pieces
of Herself\") is an exploration of feminine embodiment
and identity in relationship to public and private space. Using
a drag-and-drop game interface, viewers scroll through familiar
environments (e.g., domestic, outdoor, work) to collect metaphoric
\"pieces\" of the self and arrange them in compositions
inside the body. As each piece enters the body, it triggers audio
clips from interviews with women, music loops, sound effects, etc.,
so that layered narratives form. The project, which was inspired
by Elizabeth Grosz\'s theories about embodiment, comments on social
inscription of the body. The environments are composites of more
than 400 photographs, the pieces include 40 vector drawings, and
the audio clips include segments from interviews with 10 women.

www.julietdavis.com/studio/barbie.html
Our four-decade fascination with the Barbie doll holds unsettling
implications about how we view ourselves and our world, and how
we attractively package even the most unnerving aspects of culture,
from war to religion and reproductive technologies. This project’s
selections are sequenced to represent major components of the “American
Dream”, including “country”, “god”,
and “self”. Feel free to visit the project online at:
www.julietdavis.com/studio/barbie.html.
Juliet Davis (Assistant Professor of Communication
at The University of Tampa) is a new media artist and writer focusing
on sociopolitical issues of gender, desire, and media, with particular
interest in cyberfeminism. Her work has appeared in the Tampa Museum
of Art, FILE 2004, Dallas 500X, the Rhizome ArtBase and other venues.
With an MFA in Visual Art from Vermont College, an M.A.T. from Brown
University, and a B.A. in Honors English from Indiana University,
she has chaired media arts departments and owned her own multimedia
development business. Feel free to visit her web site at www.julietdavis.com.
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