Kevin Carter | USA

http://karaoke-me.com /

SINOPSE: Much of my work to date has focused upon the relationship of society to the utopian SF promise of new technologies, in particular the seamless interaction between humans and computer systems. From a critical point of view this relationship might be understood as a misguided belief that intelligence resides within the technology itself - rather than as part of a shared and often transparent interaction, between user and technological systems. It is the transparencies contained within these relationships, that I have tried to locate and bring to the fore through the work.
My investigation into the shifting locations of intelligence and meaning which make up this relationship between users and technologies, commonly known as human computer interaction (HCI), forms the major focus of Karaoke me.

BIOGRAFIA DOS AUTORES: “De do do do, de da da da (They\'re meaningless and all that\'s true)” DaytoDayData. (www.daytodaydata.com).
Mapping the Modern City. Forma. Newcastle 2005
Regional Voices. The Public, West Bromwich. 2005
Oral Tradition. Rhoda Street Gallery, London, UK. 2003/4. (www.co-lab.org/commissions/oral_tradition.html)
‘Touch-Stone’ 2000. Dorset, England. (www.co-lab.org/commissions/wow.html)
Resonant-City’. 1999. Lux Gallery, London. (www.co-lab.org/commissions/resonant_city.html)
“Calling all Beginners”. Cleveland Gallery, UK. 1999.
Data_love’ Fast + Wide Exhibition, Nottingham. 2000 Pandaemonium, London. 1999.