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lluvia dorada 2003 3min Espanha
Certain elements of the representation of the war in the history
of art are common in different moments and historical contexts,
the mass media connected with the political power representing the
victories of their monarchs. The hieratic emperor, the military
power, and the economical power, together with the captured beast
and submitted to a medicine on his body.
Ya no te quiero 2 minutos.Mini-dv pal. Madrid 2003
My body is the geography of the desire. The passioned splendor of
Madrid’s barroque brings a deep feeling of strangeness, the
prayer becomes a story of unlove. A catalan artist, Urri Orriols,
received an email que fala da gravidade do espaço uterino
da sala elipsoidal do templo.
‘cómo explicar a un hijo artista el significado
de lo sublime en jardín de un chalet adosado". DV. 6
minutos. Espanha.
A reflection upon the metropolitan circulation areas, urban ones,
with suburbs architecture where the so-called bourgeois does its
daily tasks abstracted to social reality near-by. “I am by-product
of distortion. I was born on these areas, and the last one in which
I lived with my mom is known as ‘sector 3’ – which
name speaks for itself”.
La Piedad - 2002 - 1min
There´s no more utopy and beauty left, only superficiality.
Could someone
who has been broken into pieces because of a nonsense life become
an icon, as a new virgin or a reflection of humanity selfpity? Irony
is all we´ve
got.
La anunciación - 2002 - 1min
One postmodern angel speaks the sacred words that can´t be
hear because they are empty words; god is only reverberation of
compassion. They can´t say anything else to reconfort us,
cause, you know, at the end, we are all alone.
Sacrifício - 2005 - 6:00
Work based on the image analysis of art history which offers
us about the sacrifice theme as certain arrangement and aesthetics
aspects that are repeated on the images that media offers to us
in the conflict of Iraq (the kidnappers who will be sacrificed and
the prisoners will be tortured in the American dungeons). The structural
violence that manifests on the macro-politic level impregnates all
the social classes, until they find there reflection on a more intimate
level of couple relations.
Venus poseída por el espíritu de Aznar en
cocina de casa ocupada 2 minutos. Mini-dv pal. Madrid 2002
The history has materialized in the kitchen of our occupied house.
I live in a city where the governments are elected due to the real-estate
politics; a city where having a self-respecting house has converted
to a Herculean task. Venus dances in the kitchen. She is surprised
by the mortal Aznar, who taking advantage of a carelessness of the
goddess, proclaims to the four winds: “I am the Capone of
mafia”.
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