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ATTEMPT 2002
Starts-off with a generic blue video screen and a running
time-code.
Questions appear without question marks. There will be no answers
to these questions and there will be no soundtrack - The work attempts
to seduce and provoke the spectator in an intimate context.
RESCUE SUBMARINE SIGNAL 4' 2002
Rescue Signal is a 16mm film showing footage of Brazilian landscape
being covered by submarine rescue smoke. The work is displayed like
a painting that transform the landscape into orange smoke. This
creates literally and metaphorically acts between exotic and ideally
setting to the unknown or cathartic.
TALK TO ME 3min - 2000
A helicopter view of São Paulo (the largest city in South
America, with 15 million inhabitants) with a soundtrack of broken
dialogue between a woman and a man. The work explores the tension
between Distance and Commitements by juxtaposing a macro view of
a large city against a micro view of a domestic situation and in
this way, announces the contradictions between these two perspectives.
Telephone 2000 1´20``
An exterior view of a telephone conversation providing only fragments
of dialogue. But it doesn’t seem to matter, since the protagonist
is paying more attention to the alien figure. She is doodling on
a sketchpad. A communication gap which gives rise to another outlet
for processing thought.
BIOGRAFIA DOS AUTORES: CAMILA SPOSATI
Nasceu em Sao Paulo, 1972.
Mora e trabalha em São Paulo.
Educação
2002/2003 Mestrado em Artes Plásticas. Goldsmiths College
of Art, Universidade de Londres. Reino Unido..
1998/2000 Postgraduação - Diploma Fine Art. Goldsmiths
College, Universitdade de Londres. Reino Unido.
1997/1997 Postgraduação - Diploma Fotografia. Centro
di Ricerca de la Fotografia (CRAF) Lestans. Italia.
1991/1996 Bacharelado em História. PUC. São Paulo.
Brasil.
Exposições
2005 Sex frjó egg 2005. Woollenmaiden ProjectSpace. Reykjavik,
Islândia.
Portrait. Galeria Leme. São Paulo, Brasil
2004 Exposição n.1. Galeria Leme. São Paulo,
Brasil.
Fluxo de Arte Belém Contemporâneo. Museu de Arte de
Belém – MABE. Belém do Pará. Brasil.
Mostra de Video Paulista. Espaço Bananeiras. Rio de Janeiro,
Brasil.
Cine Quintal n.1. Exo experimental. São Paulo, Brasil.
Framing Devices. The Agency gallery. Londres, Reino Unido.
Goldsmiths college graduates 2003. Mirko Mayer Gallerie. Colonia,
Alemanha.
2003 Insert. Cuchifritos Essex Street Market. Nova YorK, USA.
Take me seriously. Apriori Gallery. Londres, Reino Unido.
Goldsmith Masters Degree show. Londres, Reino Unido.
Made in Uk. Arch Gallery. Londres, Reino Unido.
Dörgicsewineart. Pántlika Borház. Budapeste,
Hungria.
2002 The island and the aeroplane . Sparwasser HQ. Berlin, Germany.
X Salão de Arte de Goiás. Goiânia, Brasil.
Primeiro de Abril/April’s Fool, Vila Mariana, São
Paulo, Brasil.
2001 Chuckoo chuckoo chukoo. Auckland Art Gallery. Auckland, Nova
Zelândia.
Lovesick. Bergens Kunstforening - Bergen Kunsthall. Bergen, Noroega.
Future Perfect. Adam Street. Londres, Reino Unido.
Landscape Trauma. The Gallery-southward Park. Londres, Reino Undio.
Unchaperoned. Aroma Project Space. Berlim, Alemanha.
Paendemonium Festival. Lux Cinema. Londres, Reino Unido.
EV+A, 25th Annual Exhibition of Visual Art. Limerick, Irlanda.
Glamourhammer. Boxing Ring Samuel Becket. Londres, Reino Unido.
2000 Assembly. Stepney City. Londres, Reino Unido.
Goldsmiths Postgraduate Degree show. Londres, Reino Unido.
Living with a Dutch. House Project. Enlarger Road. Londres, Reino
Unido.
Shotgun. Udstillingsstedet Peblinc. Copenhagen, Dinamarca.
1999 Cool. Elephant and Castle House project. Londres, Reino Unido.
Stop Opening. Center Point Gallery. Londres, Reino Unido.
1996 Novíssimos. Galeria Fotótica.São Paulo,
Brasil
Prêmios
2004- Selecionada 5° Prêmio de Arte e Tecnologia Sergio
Motta
2003- Unesco/Ascheberg- Cable Factory, Helsinki (Finland)
2002/2003- VIRTUOSE – Ministério da Cultura (Brasil)
1998/2000-CAPES/Apartes (Brasil)
1997- Centro di Ricerca de la Fotografia-CRAF, Pordenonne (Italia)
Chiodetto, Eder. ‘Novíssimos vasculham o corpo’
in Folha de São Paulo,. 31 Outubro 1996.
Ein Glausauge fliegt durch rosa Wolken. In Stadtanzeiger- Cologne.
5th Fevereiro 2004.
Chambers, E. ‘Landscape Trauma in the Age of Scophilia’,
in Art Monthly, n.249. Setembro 2001.
Desde lo femenino. In B-guided Spain n.12. Summer 2002.
Kelly, N. ‘EV+A 2001 expanded’, in Art Monthly, n.246.
Maio 2001.
Prior, L.’EV+A 2001’ in Flash Art , n.219. Julho-Setembro
2001.
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