
“Hosts and Guests” 2004 and “No More
Guests” 2005
Tourism as a contemporary phenomenon occurs when leisure time,
disposable income, and an ethnic or historic journey occur simultaneously.
In this sense we can consider tourism as a phenomenon that generates
short-term fantasies in which individuals (tourists) are converted
into transgressive agents that divide the local from the global.
The tourist becomes a visiting agent who delegitimizes the existence
of the native and national in the context of a global society.
This series of videos proposes problematizing the barriers that
separate local and global realities. The introduction of the tourist/visitor
character permits me to develop links to contemporary society, where
the defining social elements are in constant cultural agitation.
This instability is due not only to the North American presence
in various aspects of Puerto Rican life but also to the masses of
North American and European tourists who week by week invade the
colonial Puerto Rican landscape.
This project proposes an anthropological approach to the circumstances
that dominate contemporary Puerto Rican reality. The ideology of
the native and the local has historically dominated the discourse
of identity, framing the idea of the foreigner or tourist as a transgressive
element in the social and political realities of Puerto Rican society.
Through this series I aspire to critically address objectivity in
media of mass production such as photography and video, in the era
of digital manipulation and indiscriminate assembling of discreet
image fragments. This strategy is not only focused on the correspondence
between reality and representation but is a form of tackling identity
as a visual fiction. Thus the use of the computer in the context
of contemporary video art promotes a reconstructive aesthetic, biotechnology
and digital engineering, and flexible and malleable identities.
These permit the possibility of changing a face or a body for another
as though one was changing clothes. |