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0071
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0778
5040
0696
8246
| V I D E O R H I Z O M E | R E L E A S E
WHEN DELEUZE AND GATTARI DISPLACE THE CONCEPT OF RHIZOME FROM THE
FIELD OF BIOLOGY, PROMOTING CONTAMINATIONS AND APROPRIATIONS BETWEEN
DISTINCT AREAS OF KNOWLEDGE, NEW POTENTIALITIES, WHICH UPDATE THE
FIELD OF PHILOSOPHY, ARE BUILT, ASKING FOR ABSOLUTELY NEW SOLUTIONS.
THIS POSSIBILITY OF TRAFFIC AND METAMORPHOSIS OF CONCEPT LEADS US
TO ASK: HOW COULD THIS RHIZOME NOTION, AS IT WAS DEVELOPED BY DELEUZE
AND GUATTARI, POTENCIALIZE THE VIDEO CREATION, BRINGING NEW QUESTIONS
THAT THE PARTICULARITIES OF THE MEDIUM WOULD REALIZE? IN THIS WAY,
WE COULD SAY THE FLOW OF MOVEMENT OF THIS CONCEPT, BUT REPLACING
IT FROM PHILOSOPHY TO VIDEO.
THE VIDEORHIZOME PROJECT PROPOSES A CONTINUOUS NON-CENTERED PROCESS
OF GROUP CREATION, HAVING AS MAIN INTERCESSOR THE CONCEPT OF RHIZOME.
SOME PRESSUPOSITIONS (OPEN, UNSTABLE AND PRECARIOUS) SERVE AS A
GUIDELINE FOR THE WORKING PROPOSAL:
: TO GO BEYOND THAN A MERE ILLUSTRATIVE TRANSLATIONS OF THE CONCEPT
: TO BE A FOREIGNER INSIDE ONE´S OWN LANGUAGE, IN THIS CASE,
THE VIDEO
: TO BE OPEN TO THE CIRCUMSTANCES AND NOT TO THE INNER ESSENCE,
WHICH MEANS TO GIVE IMPORTANCE TO THE EVENTUAL, IMPROBABLE AND CIRCUMSTANCIAL
CHARACTER OF THE PRODUCED AND CAPTURED EXPERIENCE;
: TO GIVE EMPHASIS TO THE PROCESS OF CREATION, TAKING INTO CONSIDERATION
THE FACT THAT THE VIDEO IS NOT ONLY A SUPPORT, BUT IS INDEED PART
OF A DEVICE, WHICH MEDIATES THE EXPERIENCE
: TO CREATE MULTIPLICITY OF THEMES, SHAPES AND DURATION, THAT ONE
MAY CROSS, OR MELT, OR SUPERINPOSE ON, OR CONNECT WITH OR SUDDENLY
INTERRUPT
: TO PROBLEMATIZE THE CONCEPT OF AUTORSHIP AND ITS TRACES (TITLES
AND CREDITS)
THE VIDEOS ARTICULATE BETWEEN THEMSELVES IN A RHIZOMATIC WAY, WITHOUT
ANY RELATION OF CONTINUINITY OR BIFURCATION. THEY ARE DISPOSED IN
A GAPED WAY; DISTINCT TAPES WITH DISTINCT VIDEOS, NUMBERED AT RANDOM.
THIS CHARACTERISTIC ENABLES THE CONSTANT RENEWAL OF THE WORK. AFTER
BEING RECORDED THE VIDEOS ARE SENT TO ADDRESSES THAT WERE ARBITRARELY
CHOSEN, WITHOUT THE IDENTIFICATION OF THE SENDER, KEEPING THE NET
MOVING, AND BRINGING THE CRITICISM OF THE NOTION OF “ART-WORK”
AND “AUTHORSHIP” TO ITS LIMIT.
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