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The Son of Samsonite
SINOPSE: The Son of Samsonite uses several text
streams to bombard the viewer with multiple narrative possibilities.
A series of extended images (a man with a bundle of dynamite on
his head, a figure lying in a bed of snow amongst suitcases, a couple
embracing in a bathtub full of ice) reinforce the themes of destruction
found in the texts. Composed of memories of other images (often
cinematic), The Son of Samsonite is filled with irony and black
humor, puns and pop songs, and a troubled relationship that unfolds
amongst disasters.
BIOGRAFIA DOS AUTORES: Mike Olenick (b. 1978)
is a video artist and photographer. He received his MFA (with an
emphasis in Photography) from the Cranbrook Academy of Art and his
BFA in Media Studies from the Columbus College of Art and Design.
Mike’s work often fuses fake moments from his own life with
ones from cinema and pop culture. The resulting videos and photographs
are a mangled collision of fact and fiction/comedy and tragedy/love
and death. His work has been shown in the Ann Arbor Film Festival,
The Oberhausen Film Festival, VIPER Basel, and the World Wide Video
Festival.
Currently, Mike is a video editor in the Art & Technology Studio
at the Wexner Center for the Arts, where he has worked on projects
with Jennifer Reeder, Sadie Benning, Deborah Stratman, and Andrea
Fraser, among others. He also teaches video production at the Columbus
College of Art and Design. |